All posts tagged: face of the day

FOTD: Boyish

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I know, I know: this is the most boring Face of the Day in all the land. The thing is… I kind of really like it? I really like the base, at least. Here’s what I did: Skin Care: Indie Lee Squalane Oil, La Roche-Posay Redermic R Eye Corrector Base: Le Métier de Beauté Peau Vierge Anti-Aging Complexe (Shade 2), Ellis Faas Skin Veil (S103L)*, Ellis Faas Concealer (S204)*, Le Métier de Beauté Eye Brightening and Setting Powder (Refresh), Le Métier de Beauté Anti-Aging Pressed Powder (Shade 2) Cheeks: Hourglass Ambient Lighting Powder (Radiant Light), Hourglass Ambient Lighting Blush (Mood Exposure), MAC High-Light Powder (Crew) Eyes: K-Palette 24H Real Lasting 2-Way Eyebrow (G101)*, Urban Decay Primer Potion, Urban Decay 24/7 Glide-On Eye Pencil (Roach), Rimmel ScandalEyes Kohl (Nude), Le Métier de Beauté eyeshadows (Naked, Tamarack, Corinthian, Noir), Le Métier de Beauté Anamorphic Lash Mascara (Midnight Blue) Lips: Chanel Rouge Coco Shine (Boy) I know I’ve spoken about Chanel’s Boy a lot in the past, but I don’t think I’ve created a post to show just …

bareminerals degrees of dazzling

One Week bareMinerals Degrees of Dazzling: 7 Looks

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I haven’t quite been able to keep up with my One Week series, mostly because I’ve been enjoying rotating my old and new products. I figured that I had to get around to using some of my sets and palettes that I haven’t been touching eventually. Here are a couple of looks that I came up with using my bareMinerals Degrees of Dazzling set (reviewed here). This came out last Christmas/holiday, so I don’t know if this is annoying that I’m posting about it. I don’t know, I pretty much believe that you can recreate most looks with whatever you have. (Which is probably a bit weird coming from a self-confessed hoarder, but you must admit that I do have a point.) Ahem. I picked this “palette” to work with because I wanted to explore and play a bit more with colors, and my goal is to use at least 3/4 or 15 of the 20 shades in this collection. Unlike my previous One Week series posts, I chose to go the full week and …

Wes Anderson Week: 5 Things Friday x Lazy Girl Makeup

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Although the idea of a Wes Anderson week was fun in my head, it started to dawn on me that I may not have enough material to last the entire week. You see, the makeup on Wes Anderson’s heroines and female misfits kind of… recur. And are simple. So I thought of doing a post with 5 easy makeup looks inspired by Wes’s dames, as a 5 Things Friday and Lazy Girl Makeup cross-over. First, the thick black liner popularized by Gwyneth Paltrow’s character in The Royal Tenenbaums, Margot Tenenbaum. The same look can be seen sported by Anjelica Houston in The Life Aquatic with Steve Zissou.

Welcome to Wes Anderson Week

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I’ve been toying around with this idea for a while, but I just couldn’t push through with it for some reason… Until I finally decided to just do it. I think I had a hard time thinking of features that would actually work—there were a lot of potentially fun ones—but sometimes, there are things that you think about too much that you end up not doing them. And I didn’t want that to be the case for this particular series, so here we are. Wes Anderson. I’m sure you all know him by now, or at least, the movies he’s made. Half the population went as Sam and Suzy from Moonrise Kingdom for Halloween not so long ago, after all. But for the uninitiated, Wes Anderson is an American director, and he made my favorite movie, Rushmore. He has a very strong sense of aesthetics and I just think that his work is such a fun thing to kind of merge with makeup, just because it is already so visually strong and distinct. For Wes …

Cataloging

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Hello from windy Chicago! We left New York and New Jersey (with a sprinkling of Massachusetts and Pennsylvania)… and now we’re hitting SF, LA and Las Vegas in the next few weeks, so if you wanna tag along, here be my Instagram (hint: it’s @presidents!). I intended on cataloging the looks I wear on vacation, but it turns out that that’s much harder to do than I thought, so there are quite a bit of gaps here. I’ll post information as I remember them, and I’ll try looking through my folks’ and siblings’ cameras for possible look photos I can put on the days that I didn’t take a photo (which is most days). SEPTEMBER 15: Urban Decay Naked 3, Happy Skin Gel Liner (Brown), Physician’s Formula Organic Wear Fake Out! Mascara (pink tube), ILIA Beauty Multi-Stick (All of Me), ILIA Beauty Tinted Lip Conditioner (Shell Shock) SEPTEMBER 16: I DON’T REMEMBER ANYTHING EXCEPT FOR NARS Pure Matte Lipstick (Mascate) SEPTEMBER 17: Urban Decay Naked 3, MAKE Eyeshadow (Khaki)*, Happy Skin Gel Liner (Brown), Physician’s …

FOTD: Celeste e Verde

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Hello everyone! I just wanted to share a Face of the Day feat. the first look I ever attempted with MAKE Colour's Celeste e Verde Palette* (reviewed) because it's such a fun look that totally goes against the fall leanings of the makeup people have been wearing this season. Although I sometimes base my makeup on the Western hemisphere's concept of seasons, I'm not going to let the onset of autumn stop me from wearing pastel blue and yellow eyeshadow! I used Palermo, a pretty canary yellow all over the lid, fading out into the warmer brown, Brick in the outer corner, with Earth (a neutral brown) buffed out into the crease. I used my finger and the NARS Eye Brush no. 3 for the yellow lid shade, and a MAC 217 for the crease and outer corner shades.

Made-Up History: Kazimir Malevich’s “White on White,” 1918

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“White on White” is one of those works of art that I like whipping out to show people who just don’t get modern art. “Well, I could make that!” they decry, in a bubble of incredulity. The question is, did you? Russian artist Kasimir/Kazimir Malevich founded a movement called Suprematism around 1913. It focused on the rejection of the depiction of objects, opting for “the supremacy of pure artistic feeling.” This work is one of the most famous from the movement, as is another one of Malevich’s work, “Black Square.” Suprematism has been briefly, though wonderfully discussed on this Tumblr post by WTF Art History. Under the caption of “White on White,” WTF Art History writes, “A non-figural work, the White on White painting demands extended viewing in order to grasp the contrast between the white hues, the imprecise delineation of the inner square, and the effect such a painting has on you the viewer. Your response to the painting is what Malevich considered “the supremacy of pure feeling or perception in the pictorial arts.”